The Clash - London Calling (2nd Hand Compact Disc)
London Calling is the third studio album by English rock band the Clash. It was originally released as a double album in the United Kingdom on 14 December 1979 by CBS Records, and in the United States in January 1980 by Epic Records.
Originally released as a double LP, London Calling was recorded with maverick producer Guy Stevens.
Voted by Rolling Stone as best album of the 1980's, London Calling presented the group's rapidly evolving sound in the aftermath of punk, reflecting their love of reggae, soul, rockabilly, funk, rhythm & blues, as well as channeling their recent experiences touring America.
This is the Single Disc CD Version from 1999 - "Restored / Remastered, with original artwork".
- Format : Standard 2nd Hand Compact Disc
- Condition : Very Good
- Category : Music - CD's / Punk
- Released : 1979 (This Edition CBs 1999)
- Label / Number : CBS / 495347-2 (Single Disc Version)
- SKU : CD000139
- PPC : LL100gm
- Quantity Available : 1 only.
1 London Calling 3:18
2 Brand New Cadillac 2:09
3 Jimmy Jazz 3:55
4 Hateful 2:47
5 Rudie Can't Fail 3:27
6 Spanish Bombs 3:18
7 The Right Profile 3:53
8 Lost In The Supermarket 3:47
9 Clampdown 3:50
10 The Guns Of Brixton 3:12
11 Wrong 'Em Boyo 3:10
12 Death Or Glory 3:55
13 Koka Kola 1:49
14 The Card Cheat 3:50
15 Lover's Rock 4:01
16 Four Horsemen 3:00
17 I'm Not Down 3:00
18 Revolution Rock 5:36
19 Train In Vain 3:10
"Bursting at the seams with creative energy, the Clash's stunning 1979 double album more than made up for the artistic and commercial disappointment of its predecessor, '78's tried-too-hard Give 'Em Enough Rope. With ex-Mott the Hoople producer Guy Stevens harnessing their sound as never before, the band yielded what proved to be the best work of their career.
Bouncing from hard-rock (the apocalyptic-vision of the title track) to rockabilly ("Brand New Cadillac") to reggae ("Rudy Can't Fail") to pop (the Top Forty hit, "Train in Vain"), the Clash knocked down all musical walls and, in the process, ended the argument over punk's viability in the U.S." - Billy Altman.
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